STATEN ISLAND INSTITUTE FOR ARTS AND SCIENCES
Location: St. George, Staten Island, New York
The Swirled form of the new museum is derived from the liner axes typical of museum, which, through a process of warping and striation, become torqued into centroidal mass. This seemingly centroidal nature is deceptive, however, for while the striations twist into a centroid structure, that structure differs in essential ways from the centroid spaces of Frank Lloyd Wright’s New York Guggenheim and Frank Gehry’s Guggenheim in Bilbao.
The Staten Island Institute for Arts and Sciences appears to be similar in organization to both Guggenheims because it seems massed toward a center, but the visitor in fact moves across the warped striations and is denied any continuous spiral. If anything, these striated forms owe their pedigree to Robert Morris’s “Hanging Felt Pieces” or John Hejduk’s fishtail forms in his Berlin Masque. Here, the smooth nature of the space is striated by deep, V-shaped sections that begin to define a series of interlocking layers of space. The spatial experience becomes an incomplete narrative, a destination without a proscribed end.